On a journey: East Berlin, Germany

On a journey: East Berlin, Germany

Friday, July 13, 2012

The Wailing Woman & Other Neighborhood Characters

Every now and then, a woman in a newspaper hat walks around our neighborhood in Augsburg's Jakobervorstadt and wails. She moans, "Owa, owa, owa!", (German for "ouch") and after what we think was a suicide attempt (jumping?), was even strapped down in an ambulance once and whisked off to probably a hospital. I saw her at our tram stop, complaining and crying to the postman while smoking a cigarette, which she threw far behind her in frustration as she got on the train. I've also seen her talking to passerby's (not sure if they're familiar to her) who often have dull, meth-abused-looking eyes, and nod passively with no vocal response. 
Last night, a couple of Africans speaking in a loud and brash language woke us with their fighting at the bordello across the street. A group of teenage girls boosted each other so that their heads reached over the fence separating our street and the "Red Light District" (yes, it has red lights - my mother mistook them for seasonal Christmas lighting, admiring the festivity of my neighborhood), and they ogled and giggled the German equivalent of "OMG! WTF!". 
I don't feel unsafe here nor uneasy, but rather, sorry for all of these people, who are locked into the monotony of their problems and struggles and can't hold back, even in public. Maybe we need a nice community garden here. 

Saturday, July 7, 2012

Ageing & Still Raging


Today, I listened to an episode of Sound Opinions that discussed the emergence of EDM (electronic dance music), its influences, impact on pop culture, and future in America. Though informative, it left me with a strange sensation of realizing that I’ve gotten older. I had never experienced this feeling before in relation to anything artistic, and it took me a while to understand my anxious reaction. This episode was the first to showcase a trending genre of music that I am relatively unfamiliar with. 
Sure, I know something about early 90s dance music; I fought for our family car’s radio station to be tuned to Chicago’s B96 until I was twelve or thirteen years old (the alternative rock station, Q101, took over after that point). But my knowledge of EDM ends at 1996, and, well, a lot has happened since then. 
This Skrillex guy, among others, has been producing sounds and beats that have evolved way past 1996. I don’t know how to use a laptop as a recording, producing, and mixing studio, I barely know what ‘dubstep’ is, and I don’t know how to sample. I mean, my blog isn't even hip-looking (Flash? Photos?). The way I make music (and study it) could be considered archaic today. 

Although I liked what I heard on Sound Opinions, I didn’t feel like a part of it and subconsciously began to wonder if I’ve already become obsolete. My anxiety signified that I felt as though I’m dinosauring. Or getting ready to dinosaur. 
Snap back to rational thinking: I’m not old nor done for. And even if I was, there are millions of resources to come by on the internet, at shows (whether they be Coachella, in a basement, or at a dive bar), and word of mouth. One can learn a tremendous amount by simply listening, reading, and staying open-minded. So, traditional musicians - don’t despair! We are still part of the conversation! 

Wednesday, June 20, 2012

Silent Films & Film Scoring

I just returned from a final dress rehearsal of a film scoring project performed by my orchestra, the Augsburger Philharmoniker. A full score was written, rehearsed, and conducted by the composer Johannes Kalitzka, and set to the silent film Die Weber. The story is based on an uprising by local proletariat weavers in 1844 in the region of Silesia (Schlesien) which straddled Germany and Poland until Germany's unification in 1871, and is now part of modern-day Germany. 
The music is very well suited to the film, with its mix of cacophony, persistent rhythms, and instrumentation techniques (sampling, colorful percussion, individual string parts within string groups, special effects performed on various instruments). At times, I felt emotionally disturbed while watching the workers struggle to overthrow the wealthy, and the music provided an unsettling backdrop as well as apt commentary that succeeded in being modern yet timelessly fitting. 
For those who write music - setting your scores to silent films is a great way to really showcase your style and communicate a story. Search out old and preferably forgotten silent films and see how they inspire your work. I'd be interested in playing your creations!

Friday, May 11, 2012

Guitarists

Last night, our opera house enjoyed the last performance of the season in the actual theater and orchestral pit with a performance of Emil Nikolaus von Reznicek's Ritter Blaubart, and there was much merry-making afterwards.

As it is with all nights out, a time comes when a decision needs to be made - carry on, or turn in? We ventured forth to the next bar, Cafe Neruda, where we met a guitar duo, one guy from Georgia (the country) and an Assyrian (not Syrian - I initially thought so, too: http://en.wikipedia.org/wiki/Assyrian_people) guy from southeastern Turkey.

They played a mesmerizing set of classical guitar duos with flamenco and folkloric influences, and it was apparent that the two, particularly the Georgian guy, were highly trained and had mastered virtuosic guitar playing. They made everything look so easy, and were unpretentious.

After jamming with R.E.M. and Eric Clapton songs, we stumbled home and passed by the guitarists as they sat on a random bench, rolling joints and getting happy. It was somehow poignant, although I can't say exactly why.


Tuesday, April 17, 2012

The Mighty Six

Six Reasons Why The West Was Able To Rule The World:

- competition
- science (the Enlightenment)
- property rights laws
- medicine (enabled longer life spans)
- consumer society
- work ethic (Protestant)

By Niall Ferguson


Thursday, April 12, 2012

Vagabond

Dad: "What is this vagabond lifestyle you're leading? Not settled anywhere, just going around with no roots."
Geeta: "You know your dear old friend Ustad Zakir Hussain? He plays probably 100-150 concerts a year and therefore lives on the road. What does that make him?"
Dad: "..."


Wednesday, January 4, 2012

Happy New Year to everyone! Let's see where 2012 leads us, shall we?